Archives

Musimon

Musimon rampant (Period)

Musimon rampant (Period)

The musimon is an heraldic monster said to be a combination of a goat and a ram, with the horns of both.  It’s considered a period charge, described (though not attributed) by Guillim, 1610 [179].  The Society grants no difference between the musimon and the goat.

The musimon does not seem to have a default posture; the illustration shows a musimon rampant.  For related charges, see goat, sheep.

Gideon ap Stephen bears:  Per bend sinister argent and sable, a musimon rampant counterchanged.

Thomas von Wildtstein bears:  Per pale gules and sable, a musimon rampant contourny within a bordure Or.

Oda Wlslagre dicta Widoeghe bears:  Gules, a musimon rampant argent spotted sable and in chief two wool combs fesswise Or.

This entry was posted on May 22, 2014, in .

Musical note

Musical note (Accepted)

Musical note (Accepted)

G-clef (Accepted); C-clef (Accepted)

G-clef (Accepted); C-clef (Accepted)

A musical note is a written symbol, indicating pitch and duration to the performer.  Musical notation had evolved continuously, from the “neumes” of the 10th Century to the stemmed ovoids of modern notation.  In Society armory, the musical note is commonly represented as a lozenge with a vertical stem out of its top corner, as used in 16th C. Italian notation [Grove 18:136].  Specific types of notes may be blazoned a “fusa”, a “(semi)minim”, or a “(semi)quaver”, depending on the period and the exact form; no heraldic difference is granted.

Though we’ve no examples of their use as independent heraldic charges, musical notes were used to embellish charges in period armory, such as the “prick-song book” in the crest of the Worshipful Company of Parish Clerks, 1582 [Bromley & Child 191].

Other musical symbols were used as period charges:  the arms of the composer Orlando di Lasso, 1570, uses the symbols “sharp”, “flat”, and “natural” as charges [Woodward 387].  Society armory also has examples of clefs, such as the “G-clef” and “C-clef”; the illustrations are taken from 16th C. scores [Grove 6:26].  In all cases, period forms of the notation should be used.

Musical notation is exempt from the Society’s requirement that armory not consist solely of letters or similar symbols.

Quinlan of Sheare bears:  Argent, on a chevron azure three quavers palewise argent.

Vincenzio di Bartolomeo da Brescia bears:  Azure, three quavers argent.

Ivory Genevieve la Rouge bears:  Vert, on a bend sinister between a G clef and a fleur-de-lys argent an ivy vine throughout vert.

This entry was posted on May 22, 2014, in .

Musical instruments

Society heraldry accepts as charges those musical instruments known before 1600, and a wide variety have been registered.  In some cases the blazon makes a distinction purely for the artist’s sake; there is no heraldic difference between, e.g., a rebec and a gittern, and it would take a medieval musicologist to tell them apart.  When in doubt, it’s best to be general, rather than specific:  e.g., “fiddle” instead of “viola da braccio”.

In general, musical instruments are affronty by default, with the strings or fingerholes facing the viewer.  For specific entries, see:  bagpipe, bell, clarion, cornetto, drum, flute, gittern, guitar, harp, hautboy, horn (hunting), hurdy-gurdy, jew’s-harp, krummhorn, lute, lyre, organ pipe, panpipe, portative organ, psaltery, rackett, recorder, sackbut, sitar, trumpet, viol, whistle (mariner’s), zil, zither.

This entry was posted on May 22, 2014, in .

Mushroom

Mushroom (Period)

Mushroom (Period)

A mushroom is a saprophytic plant, considered a fruit for purposes of heraldic classification.  It’s a period charge, found in the arms of Dryland, c.1480 [DBA2 351], and the arms of Phoffwintzer, mid-16th C [NW 65].  The mushroom is couped by default; occasionally, the type (e.g., “morel”) is specified in blazon.

Deborah the Wanderer bears:  Purpure, a mushroom argent.

Leopold van Audenhoelve bears:  Sable, three mushrooms argent.

Geoffrey des Champignons bears:  Or semy of mushrooms, a bordure sable

This entry was posted on May 22, 2014, in .

Mullet

Mullet (Period)

Mullet (Period)

Spur rowel, or mullet of six points pierced (Period)

Spur rowel, or mullet of six points pierced (Period)

A mullet is a geometric figure, originally meant as the rowel of a spur, but commonly used to represent a star or other heavenly body.  It’s an ancient charge, also called a “molet” in early blazons; it dates from at least 1244, in the arms of de Vere, Earl of Oxford [Asp2 221].  All mullets have a point to chief by default.

The default mullet has five points, as in the illustration.  Mullets of six or eight points were also very common in period; examples with seven or nine points are found.  Indeed, Society heraldry has seen mullets with as few as three and as many as twelve points.  No difference is granted for the number of points.

Note that mullets with unusual numbers of points may be too readily confused with other charges.  For instance, a mullet of three points is indistinguishable from a caltrap, and is only barely recognizable as a mullet; it is no longer permitted in Society armory for that reason.  On the other end of the scale, a mullet of more than eight points is indistinguishable from a sun, and gets no difference from it (indeed, it will frequently be so blazoned).

A mullet may be “pierced”, with a circular hole in its center.  In particular, a mullet of six points pierced (as in the illustration) may also be called a “spur rowel”.

Mullets are found “voided and interlaced” in period, as in the arms of Degelin von Wangen, 1605 [Siebmacher 119].  For many years, Society heraldry did not permit mullets of five points to be voided and interlaced:  the motif was seen as a mystical or Satanic symbol.  Currently, with the wider acceptance of wiccan religion, the motif is acceptable under the same guidelines as other religious symbols.  Mullets with more points may likewise be voided and interlaced:  in the case of six points, the result is the star of David.

Mullet of eight interlocking mascles (SFPP)

Mullet of eight interlocking mascles (SFPP)

Period armory shows us rare examples of a multi-pointed mullet with a single point greatly elongated (usually to base):  cf. the arms of Beneditti, c.1550 [BSB Cod.Icon 275:137].  These are considered to be an artistic variant of the comet, and are treated as such.  A “mullet of four points elongated to base” is acceptable, based on this pattern, but is considered a step from period practice.  At one time, Society practice also allowed mullets to be “elongated palewise”, i.e., with one point elongated to chief and another to base; this is no longer permitted.

Society practice allows other charges to be combined to form a mullet, although the combination’s outline must resemble a mullet to be blazoned as such.  Thus the Society has examples of, e.g., a “mullet of five pheons, hafts conjoined”, or a “mullet of eight interlocking mascles”.  The latter is considered a step from period practice.

 

 

Compass star (SFPP)

Compass star (SFPP)

Rivenstar (Disallowed)

Rivenstar (Disallowed)

There are other variants of the mullet, unique to Society heraldry.  The “compass star” is a mullet of four greater and four lesser points; its use is considered a step from period practice, and not permitted at all when elongated to base.  (Likewise, any mullet of greater and lesser points is deemed a step from period practice: e.g., the “mullet of five greater and five lesser points”.)  The “riven star” is essentially a compass star disjointed per bend sinister; as it has no period exemplars, the riven star is no longer registerable.

Some mullet variants are blazoned as though they were other charges:  A “cross estoile” is a mullet of four points elongated to base; the usage does not appear to be period.  A “sword of Höflichkeit” is an obsolete Society term for a mullet of four points elongated to base, gyronny Or and sable.

In English cadency, the mullet is the brisure of the third son.  For related charges, see compass rose, cross estoile, estoile.  See also sparks.

The King of Ansteorra bears:  Or, a mullet of five greater and five lesser points sable within a laurel wreath vert, in chief a crown of three points, all within a tressure sable, overall issuant from base a demi-sun gules.

The Prince of Vindheim bears:  Quarterly sable and gules, a laurel wreath and in chief three mullets of six points Or.

The Baron of Rivenstar bears:  Azure, a riven star between in bend sinister two laurel wreaths, all argent.

The Baron of Brendoken bears:  Per pale vert and sable, a mullet of eight points within a laurel wreath Or.

Áine ingen Néill mec Lugdech bears:  Gules, three mullets argent.

Selivia de l’Estoile bears:  Gyronny of six purpure and argent, a mullet of six points azure.

Aelfwine Denedom bears:  Quarterly vert and sable, a mullet of four points throughout argent.

Paul of Sunriver bears:  Azure, a compass star Or.

Robert FitzNorman bears:  Azure, a mullet of eight interlocking mascles argent.

Michel le Blanc bears:  Barry sable and argent, a mullet of three points pallwise throughout Or.

Katerine Rowley bears:  Quarterly azure and Or, four spur-rowels counterchanged.

Ailis Linne bears as a badge:  A mullet of five points voided and interlaced within and conjoined to an annulet azure.

This entry was posted on May 22, 2014, in .

Mouse

Mouse statant (Period)

Mouse statant (Period)

The mouse is a tiny verminous beast, which gnaws in darkness; it was the medieval symbol of greed and female lasciviousness.  Heraldically, the category includes the “rat”, a larger rodent with much the same medieval reputation.  Both mice and rats are found in 15th Century Italian armory:  the canting arms (from Latin sorex and Italian ratto) of da Sorexina and Ratazi, respectively [Triv 329, 312].

The “dormouse” may likewise be included here:  although not biologically related to the mouse, their bodies are sufficiently similar to warrant inclusion.  The dormouse is distinguished from the mouse by its furry tail.  It’s a period charge, found in the canting arms (Italian ghiro) of de Giramis, mid-15th C. [Triv 153].

The mouse and its cousins do not have a proper tincture, per se:  if colored brown, they must be blazoned, e.g., a “brown mouse proper”.  Neither do they have a default posture; the illustration shows a mouse statant.  See also bat.

Edgar the Unready bears:  Gules, a mouse rampant argent.

Brice le Raton bears:  Lozengy sable and argent, a rat rampant gules.

Borgunna Varsdottir bears:  Per bend sinister raguly Or and azure, a decrescent and a dormouse dormant counterchanged.

This entry was posted on May 22, 2014, in .

Mount; Mountain

Mount (Period)

Mount (Period)

Trimount, or mount of three hillocks (Period)

Trimount, or mount of three hillocks (Period)

A mount is the heraldic representation of a hill.  It’s drawn as a rounded hillock issuant from base; it’s equivalent to a “base enarched to chief”.  The mount is sometimes drawn naturalistically, with tufts of grass; Society heraldry considers this artistic license, and it’s often ignored in Society emblazons.  A “mount proper” is vert, and some texts claim that mounts are vert by default; but they have no default coloration in Society heraldry.

If the mount is not issuant from base, but cut off at the bottom, it must be blazoned “couped”.  The mount may also have more than a single hillock, especially in Italian heraldry:  three, six, or ten hillocks are possible, and would be blazoned, e.g., “a mount of three hillocks” (or “coupeaux”, or “peaks”), as in the illustration.  (The mount of three hillocks may also be termed simply a “trimount”.)  The multi-hilled form of mount dates from at least 1413, in the arms of the Kings of Hungary [Conz.Const. xcix].

Mountain (Period)

Mountain (Period)

A variant of a mount is the “mountain”, representing a mountain instead of a hill.  The mountain is usually drawn more naturalistically, with rocky crags and a peak; the exact details are not blazoned.  It too is period, in the canting arms of di Monti da Cara, mid-15th C. [Triv 235].  Like the mount, it is issuant from base unless otherwise specified.

Multiple mountains may be conjoined to form a “mountain range”, as in the canting arms of Siebenbürger, 1605 [Siebmacher 46].  The period example requires a long, narrow area for displaying the range; the mountains issue from the lower edge by default.  The number of mountains in the range need not be specified.

The mount should not be confused with the “mound”, which is another name for the orb.  For related charges, see base, point, rock.

The Prince of the Summits bears:  Azure, a gryphon passant and on a mountain argent, a goblet azure within a laurel wreath vert.

William de Montegilt bears:  Sable, a two-peaked mountain couped Or, capped argent.

Morna ó Monadh bears as a badge:  Purpure, a mount of three hillocks Or.

Jan Rafiel Shkoder bears:  Vert, a mount of six hillocks between two falcon’s heads erased Or.

Alys de Montcharmont bears:  Azure mullety, on a bend argent a mountain range vert.

This entry was posted on May 22, 2014, in .

Mortar and pestle

Mortar and pestle (Period)

Mortar and pestle (Period)

A mortar and pestle is a set of tools for grinding substances to powder.  The mortar is a hard, deep bowl; the pestle is a club, which does the grinding.  They are usually found together, with the pestle in the mortar.  Mortars and pestles are period charges:  the illustration is from the arms of Wakerley, mid-16th C. [Bedingfeld 58].  See also bowl, cup.

Willem Gerritsz van Wije bears:  Sable, three mortars and pestles Or.

Elizabeth Rea bears:  Per saltire argent and vert, a mortar and pestle sable.

Edain de Burgh bears:  Per pale vert and argent, three mortars with pestles counterchanged.

This entry was posted on May 22, 2014, in .

Moorcock

Moorcock (Period)

Moorcock (Period)

The moorcock is a game bird, the male black grouse, characterized in heraldry by its two projecting tail feathers.  It’s a period charge, found in the canting arms of Myddylmore c.1460 [RH], and more famously in the arms of Sir Thomas More, 1478 [Wagner 68].  The moorcock is close by default.

Vostroi Ivanov Kievich bears:  Or, a pale bretessed between two moorcocks close respectant gules each gorged of a coronet argent.

Lovell Hastings bears:  Argent, a fess wreathed vert between three moorcocks in fess and a patriarchal cross gules.

Jacopo Basilio Rosso bears:  Or, a moorcock gules maintaining a lantern sable paned Or, on a bordure gules three bezants.

This entry was posted on May 22, 2014, in .

Moon

Moon in her plenitude (Period)

Moon in her plenitude (Period)

Increscent moon (Period)

Increscent moon (Period)

The moon is a heavenly body, Earth’s natural satellite, and may be emblazoned in several ways.  A “moon in her complement” or “in her plenitude” is essentially a roundel with a human face; this form is found in the arms of de Fontibus, c.1225 [Parker 414], and the arms of Stein, c.1340 [Zurich 400].  An “increscent (or decrescent) moon” is a crescent with a human face in profile; this seems to be a later form, as in the arms of Weber, 1605 [Siebmacher 39].  (The illustration shows an increscent moon.)

According to Parker, a “moon proper” is argent, and a “moon eclipsed” is sable; but Society armory doesn’t recognize these definitions, permitting the moon to be in any tincture.

The Shire of Malagentia bears:  Purpure, a moon in her complement within a laurel wreath argent.

Doniphan non Sequitur bears:  Barry argent and sable, a moon in her plenitude azure.

Lourana Moonwind bears:  Gules, a decrescent moon within an orle of mullets Or.

This entry was posted on May 22, 2014, in .