Archives

Prow

Drakkar prow (Disallowed)

Drakkar prow (Disallowed)

Gondola prow (Accepted)

Gondola prow (Accepted)

A prow is the bow or front of a ship.  As artifacts, medieval prows were frequently ornate, made of carved wood; they don’t seem to have been used in period heraldry.  In Society heraldry, the most common prow is the “drakkar prow”, the figurehead of a Viking longship; this charge is sometimes blazoned as a “dragon’s head couped”, from which it is negligibly different.  Though we have period examples of Norse ships with beast’s heads as prows – e.g., the Norse ship on the town seal of Bergen, c.1300 [Gwyn Jones, A History of the Vikings, 1984, p.227], from which the illustration is taken – the lack of standardization makes the drakkar prow no longer registerable, barring evidence.

There is also the “gondola prow”, the traditional carved bow of the gondolas of Venice.  Both sorts of prow are couped and face dexter (as would their ships), by default.  For related charges, see head (monster).

Thorfinn Rognvald Hundr bears:  Per pale argent and sable, in fess two drakkar prows addorsed counterchanged.

Marina Foscari bears:  Quarterly sable and gules, a cross between in bend two gondola prows reversed, all within a bordure argent.

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Prints

Paw print (SFPP)

Paw print (SFPP)

Prints are the impressions made by either animal or human feet; they are more fully termed “pawprints” or “hoofprints” (or, for human feet, “footprints”).  A single example of hoofprints has been found in modern German armory, in the civic arms of Gars, in Bavaria [Neubecker & Rentzmann, 10000 Wappen von Staaten und Städten, p.394]; prints are thus accepted for Society use, though they are considered a step from period practice.

While the type of animal is often blazoned, no heraldic difference is granted between various prints.  They are shown with the toe-marks to chief by Society default, as in the illustration.  For related charges, see sole.

Esther of Darkhaven bears:  Per fess sable and argent, in bend nine wolf-paw prints counterchanged five and four, in sinister chief a plate.

Artemas Maximus bears:  Or, a bear’s paw print gules.

Felix MacAvady bears:  Or, seven cat’s paw prints two, three and two sable.

Willelm le Pied bears:  Per bend sinister sable and azure, a footprint argent.

Watt Kidman bears:  Or, three goat’s hoofprints inverted Or.

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Printer’s ball

Printer's ball (Accepted)

Printer’s ball (Accepted)

A printer’s ball is a tool for applying ink to the plate of a printing press.   It is a period artifact, dating to at least 1568 [Amman 27], but the earliest example we have of its armorial use is 1657 [Volborth 189].  The printer’s ball has its handle to chief by Society default.

Bertram of Bearington bears:  Gules, a printer’s ball argent inked sable.

Leonhard Schuwert bears:  Per chevron azure and Or, two printer’s balls in saltire azure inked sable each sustained by a hand azure.

Fredeburg von Katzenellenbogen bears as a badge:  A printer’s ball Or.

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Pretzel

Pretzel (Period)

Pretzel (Period)

A pretzel is a twisted bun or pastry, made from a long rope of dough, tied into a knot and baked.  Though most strongly identified with Germany, pretzels were eaten in several countries of period Europe.  The pretzel is a period charge:  the illustration is taken from the arms of the Bakers Guild of Augsburg, in the 16th Century [Volborth 184].

Society heraldry defines a “pretzel proper” as brown.  The pretzel does not seem to have a default orientation:  examples are found with the ends to chief and to base, with no difference counted.  For related charges, see breadloaf, knot.

Lynette the Lost bears:  Argent, three lozenges in bend azure, each charged with a pretzel Or.

Edmund Lambert of Tregelles bears:  Vert, a pretzel Or.

Callistus Gill bears:  Or, three pretzels proper and a bordure wavy vert.

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Press

Screw press (Accepted)

Screw press (Accepted)

Printing press (Accepted)

Printing press (Accepted)

A press is an implement used to squeeze, crush or otherwise apply great pressure over a wide area.  Several types of press were used as artifacts throughout period; all are acceptable in Society armory.

To date, the only form of press found in period armory is the “wine press”, with a long lever arm for crushing large quantities of grapes.  The wine press (torchio in Italian) is found in the canting arms of de Torcis, mid-15th C. [Triv 347].

In Society armory, the most common form of press is the type used to crush smaller amounts of fruit or seeds; it has been variously blazoned in Society heraldry as a “screw press” or a “cider press”, but the basic form remains unchanged.

Society armory also has the “printing press”, made famous by Gutenberg c.1450 for copying words and figures onto paper.  All these forms of press are upright by default.

The Royal Press Corps of the West bears:  Purpure, a screw press Or.

Rhys Afalwin bears:  Argent, a cider press sable between three apples gules, slipped and leaved proper.

Luciano di Challant bears:  Ermine, a printing press gules.

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Pot; Cauldron

Fleshpot, or posnet (Period)

Fleshpot, or posnet (Period)

Cauldron (Period)

Cauldron (Period)

A pot is a round vessel, usually of metal, intended to hold food.  In medieval armory, the default form of pot is two-handled and three-legged; it is more fully called a “fleshpot” or (in the Randall Holme roll, c.1460) a “posnet”.  This form is found as early as c.1370, in the arms of von Spanheim [Gelre 44].

Another common form of pot was the “cauldron”:  more spherical in shape, with a bail handle, which may be called its defining trait.  The cauldron is hung over the fire by its handle to cook food; it’s sometimes called a “cooking pot” for that reason.  The cauldron is a period charge, found as early as c.1340 in the arms of Diessenhofen [Zurich 153].  In Society armory, it is sometimes drawn with a fire beneath it, or hanging from a tripod:  the arms of Larrea, mid-16th C., show a cauldron so suspended [Armeria 358].

Spouted pot (Period)

Spouted pot (Period)

Three-footed pot (Accepted)

Three-footed pot (Accepted)

There is also the “spouted pot”, called a pot à verser in French, used for storing and pouring liquid.  It’s found in the canting arms (German Weinkanne) of Schilling von Cannstatt, c.1450 [Scheibler 131; also Siebmacher 112].  The default form is with a single spout, facing dexter; two-spouted pots are also found, in the arms of von Stedenberg or Stettenberger, c.1450 [Ingeram 158, 269; also Siebmacher 104].  (The same French term, pot à verser, is also used for a slightly different pouring vessel, made of earthenware rather than metal.  This variant, blazoned in German as a Weinkrug, is found in the arms of von Prackbach, 1605 [Siebmacher 93].)

Pipkin (Accepted)

Pipkin (Accepted)

Kettle (Accepted)

Kettle (Accepted)

Of the various pots unique to Society armory, we find the “three-legged pot”, like the cauldron but three-footed and without a handle; the “pipkin”, a ceramic cooking vessel with three feet and a long handle, dating to the 15th Century; and the “kettle”, a metal cookery pot, not spherical like the cauldron, but wider than it is deep, with a lifting handle on both sides.  No difference is granted the various types of cookery pots.

There is also the “clay pot”, not metal but pottery:  a flat-bottomed, wide-mouthed crock (much like a modern flower-pot).

Clay pot (Accepted)

Clay pot (Accepted)

For related charges, see amphora, caldera gringolada, frying pan, ink bottle (ink pot), pitcher, vase (urn).  See also cat (in its curiosity).

Aubrey Ericsdatter bears:  Sable, three cauldrons Or.

Agnes Berengarii de Gerona bears:  Vert, five cauldrons in saltire Or.

Brekke Franksdottir bears:  Sable, a cooking pot hanging from a tripod above a base in flame argent.

Roberto Valason bears:  Argent, a peacock in its pride azure gorged of a pearled coronet argent between two barrulets between two spouted pots reversed vert.

William Taylor the Pure bears:  Per pale purpure and vert, a bear’s leg palewise issuant from base Or, maintaining a clay pot argent.

Claire le Potter bears:  Per bend sinister gules and azure, a kettle argent and a bordure Or.

Dametta of Arundel bears:  Per pale purpure and sable, a gryphon segreant maintaining a chalice, on a chief argent three posnets per pale purpure and sable.

Parlane of Glenord bears:  Pean, on a three-legged pot argent two dolphins haurient respectant sable.

Mons von Goarshausen bears as a badge:  Issuant from a pipkin sable a flame gules.

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Porte-arnois

Porte-arnois (Period)

Porte-arnois (Period)

A porte-arnois (OF “carry harness”) is a portable armor stand, for use on campaign or in the field.  The illustration is taken from de Bara’s Blason des Armoiries, 1581 [154], where the porte-arnois is attributed to the arms of Judith.

Rowen Killian bears as a badge: A porte-arnois sable.

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Portcullis

Portcullis (Period)

Portcullis (Period)

A portcullis is a heavy metal grille, used to bar the gateway of a castle.  It’s a period charge, found in the arms of Fyschcok, c.1480 [RH], but more famous as the badge of Beaufort, 1449, from whom the Tudor kings inherited it [Parker 473; HB 143, 111].

In period, English emblazons showed the portcullis with its chains on either side, hanging to base (as in the illustration); these need not be blazoned.  There are some examples in Continental heraldry of chainless portcullises, such as the arms of Hessen zu Wigdorf, 1605 [Siebmacher 136]; chainless portcullises in Society armory should be explicitly blazoned.

For related charges, see gate, rastrillo.  See also door, drawbridge, gridiron, strike.

Ernst of the Gate bears:  Per pale Or and sable, a portcullis gules.

Alexis Sinclaire bears:  Sable, three portcullises Or.

Almarr of Odder bears:  Azure, three portcullises argent.

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Portative organ

Portative organ (Accepted)

Portative organ (Accepted)

A portative organ is a musical instrument, a small pipe organ used in processionals; it was carried at the waist on a strap, with one hand working the bellows and the other hand playing the keyboard.  It was a period instrument, dating from the 13th C. [Baines 269], but does not appear to have been used in period armory.  The portative organ is affronty by Society default, with the keyboard to the viewer.  See also organ pipe.

Cecily of Elfhollow bears:  Per fess azure and vert, a fess wavy Or between a portative organ and a New World dogwood blossom argent seeded vert.

Arend Adler bears:  Per bend azure and gules, a portative organ argent.

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Poppy boll

Poppy boll slipped (Period)

Poppy boll slipped (Period)


The poppy boll is the fruit of the poppy plant, containing the seeds and the opium latex for which the plant is cultivated. It’s a period charge, found in the arms of Tomas Porthelyne c.1460 [RH; cf. DBA2 352]. The period emblazon shows a bit of the slip of the poppy boll; one Society example has bolls slipped and leaved as well. The poppy boll has its slip to base by default.

Walter of Lowestoft bears: Azure, a bend and in sinister canton four poppy-bolls, all argent.

Anne du Lac bears: Per bend azure and argent semy of poppy bolls slipped and leaved gules, in sinister chief an open book Or.

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