Search Results for: flame

Rocket

Rocket or skyrocket (Accepted)

Rocket or skyrocket (Accepted)

A rocket is a long cylinder with a conical point at one end, belching flame at the other; it is used as a projectile, and is more fully termed a “skyrocket”.  The Chinese used them as fireworks and signals – the preparation of rockets was described by Marcus Graecus, Book of Fires for the Burning of Enemies, c.1300 [Singer 379] – but rockets were not found in period heraldry.  The skyrocket has its point to chief by Society default.  For related charges, see pole-cannon.

Thomas MacAndrew bears:  Counter-ermine, a skyrocket bendwise Or.

Luke of Bright Hills bears:  Or, on a pale between two crescents azure, a rocket Or.

This entry was posted on June 2, 2014, in .

Rock; Stone

Rock (Period)

Rock (Period)

A rock is an irregular mass of stone; it is also called a “stone”, though that usually implies a smaller mass.  When used as an independent charge, the rock is drawn lumpishly to distinguish it from a roundel.  Rocks are found in the canting arms of Pedrosa, c.1540 [Nobreza xvi].  When issuant from base, a rock becomes essentially a rocky mount.

 

A specific type of rock is the “flint”, used for striking sparks against a furison to start fires.  It was used as one of the badges of the Order of the Golden Fleece, 1430 [Friar 170; Volborth 216].  The flint is depicted as a rock with spurts of flame issuant from the sides, sometimes radiating across the field.

 

Millstone (Period)

Millstone (Period)

Period armory gives us the “millstone”:  a large circular stone, turned by water power, used for grinding grain.  It forms the base of the mill; it’s rendered essentially as a diapered roundel, frequently charged with a millrind.  The millstone is a period charge, found in the arms of Spiser, c.1340 [Zurich 253].

 

Rocks come in many materials – basalt, marble, sandstone – so, strictly speaking, they have no “proper” coloration.  Nonetheless, there are a few instances of “rock proper” or “stone proper” in Society blazonry; these assume the rock is grey granite, and are treated as if they were argent.

See also dolmen (menhir), grindstone.

Hallmundr Grimsson bears:  Barry wavy azure and argent, a stone sable.

Piers Howells de Cambria bears:  Azure, an owl reguardant Or perched atop a rock issuant from base argent.

Juliana Neuneker Hirsch von Schutzhundheim bears:  Sable, a flint between four furisons in saltire, steels to center Or.

This entry was posted on June 2, 2014, in .

Ring

Gemmed ring (Period)

Gemmed ring (Period)

A ring is a piece of jewelry worn on the finger, consisting of a precious metal band set with gems.  It is termed a “gemmed (or finger) ring” to distinguish it from an annulet.  The gemmed ring is a period charge, found in the arms of von Enzberg, c.1450 [Ingeram 104; also Siebmacher 110]; the gemstone is to chief by default.

The Baron of Stromgard bears as a badge:  A gem ring argent gemmed gules.

Isabel the Vulgar bears:  Quarterly sable and argent, in bend sinister two finger rings vert gemmed azure.

Sofiye Darkhawk bears:  Argent, a wolf statant erect contourny reguardant sable, breathing flames and sustaining a finger ring gules, gemmed azure.

This entry was posted on June 2, 2014, in .

Pot; Cauldron

Fleshpot, or posnet (Period)

Fleshpot, or posnet (Period)

Cauldron (Period)

Cauldron (Period)

A pot is a round vessel, usually of metal, intended to hold food.  In medieval armory, the default form of pot is two-handled and three-legged; it is more fully called a “fleshpot” or (in the Randall Holme roll, c.1460) a “posnet”.  This form is found as early as c.1370, in the arms of von Spanheim [Gelre 44].

Another common form of pot was the “cauldron”:  more spherical in shape, with a bail handle, which may be called its defining trait.  The cauldron is hung over the fire by its handle to cook food; it’s sometimes called a “cooking pot” for that reason.  The cauldron is a period charge, found as early as c.1340 in the arms of Diessenhofen [Zurich 153].  In Society armory, it is sometimes drawn with a fire beneath it, or hanging from a tripod:  the arms of Larrea, mid-16th C., show a cauldron so suspended [Armeria 358].

Spouted pot (Period)

Spouted pot (Period)

Three-footed pot (Accepted)

Three-footed pot (Accepted)

There is also the “spouted pot”, called a pot à verser in French, used for storing and pouring liquid.  It’s found in the canting arms (German Weinkanne) of Schilling von Cannstatt, c.1450 [Scheibler 131; also Siebmacher 112].  The default form is with a single spout, facing dexter; two-spouted pots are also found, in the arms of von Stedenberg or Stettenberger, c.1450 [Ingeram 158, 269; also Siebmacher 104].  (The same French term, pot à verser, is also used for a slightly different pouring vessel, made of earthenware rather than metal.  This variant, blazoned in German as a Weinkrug, is found in the arms of von Prackbach, 1605 [Siebmacher 93].)

Pipkin (Accepted)

Pipkin (Accepted)

Kettle (Accepted)

Kettle (Accepted)

Of the various pots unique to Society armory, we find the “three-legged pot”, like the cauldron but three-footed and without a handle; the “pipkin”, a ceramic cooking vessel with three feet and a long handle, dating to the 15th Century; and the “kettle”, a metal cookery pot, not spherical like the cauldron, but wider than it is deep, with a lifting handle on both sides.  No difference is granted the various types of cookery pots.

There is also the “clay pot”, not metal but pottery:  a flat-bottomed, wide-mouthed crock (much like a modern flower-pot).

Clay pot (Accepted)

Clay pot (Accepted)

For related charges, see amphora, caldera gringolada, frying pan, ink bottle (ink pot), pitcher, vase (urn).  See also cat (in its curiosity).

Aubrey Ericsdatter bears:  Sable, three cauldrons Or.

Agnes Berengarii de Gerona bears:  Vert, five cauldrons in saltire Or.

Brekke Franksdottir bears:  Sable, a cooking pot hanging from a tripod above a base in flame argent.

Roberto Valason bears:  Argent, a peacock in its pride azure gorged of a pearled coronet argent between two barrulets between two spouted pots reversed vert.

William Taylor the Pure bears:  Per pale purpure and vert, a bear’s leg palewise issuant from base Or, maintaining a clay pot argent.

Claire le Potter bears:  Per bend sinister gules and azure, a kettle argent and a bordure Or.

Dametta of Arundel bears:  Per pale purpure and sable, a gryphon segreant maintaining a chalice, on a chief argent three posnets per pale purpure and sable.

Parlane of Glenord bears:  Pean, on a three-legged pot argent two dolphins haurient respectant sable.

Mons von Goarshausen bears as a badge:  Issuant from a pipkin sable a flame gules.

This entry was posted on May 27, 2014, in .

Pole-cannon

Pole-cannon (Accepted)

Pole-cannon (Accepted)

A pole-cannon is a very large-bore firearm, mounted at the end of a sturdy stick for the (theoretical) safety of the user.  The defining instance in Society armory is based on a design used at Crecy, 1350 [cf. Stone 229]; similar weapons were used on the Tudor warship Mary Rose, c.1545 [Rule 158].  The mouth is to chief by Society default.

For related charges, see cannon, gun.  See also rocket.

Ioseph of Locksley, the Rhymer bears as a badge:  Per fess vert and argent, in saltire two pole-cannons Or, hafted sable, enflamed proper.

Melchior Woelffling van Meckelenburch bears:  Azure, a pole-cannon Or enflamed proper, on a chief argent three mushrooms purpure.

This entry was posted on May 24, 2014, in .

Phoenix

Phoenix (Period)

Phoenix (Period)

The phoenix is a monster from Greek myth which, after living alone in the desert for half a millennium, consumed itself in fire and rose again from the ashes.  It is shown as a demi-bird issuant from flames.  Medieval emblazons always gave it a prominent crest atop its head, as in the illustration (taken from the standard of Ralph Verney of Pendeley, c.1510 [Walden 138; cf. Bromley & Child 184]); modern emblazons often show it as simply a demi-eagle.

The phoenix is displayed by default:  even when blazoned “rising from flames”, as it often is, its posture is displayed, not the heraldic posture of rising.  The flames need not be blazoned (unless their tincture must be distinguished); without flames, the monster wouldn’t be a phoenix.  See also firebird.

The Baron of the Sacred Stone bears:  Vert, a double-headed phoenix and in chief a laurel wreath argent.

Sarah Davies of Monmouth bears:  Or, three phoenixes sable.

Eiríkr Mjoksiglandi Sigurðarson bears:  Per chevron gules and Or, three phoenixes counterchanged.

This entry was posted on May 23, 2014, in .

Pelt; Hide

Hide (Accepted)

Hide (Accepted)

A pelt is the skin of an animal, removed from its body and laid flat by default.  In period armory, the usual pelt seems to be of a squirrel or other small animal, as found in the Zurich Roll, c.1340 [406].  In Society armory, the most common pelt is blazoned a “hide”, and is considered a cowhide (as illustrated).  Other beasts’ hides are blazoned explicitly.  In each case, the part of the hide that attached to the beast’s head is to chief by default.  For related charges, see fleece.

Vuong Manh bears:  Gules, on a hide Or a roundel enflamed and depicted as a t’ai ch’i vert.

John FitzWilliam bears:  Sable, a hide argent.

Sveinn Raudskeggr bears:  Gules, on a bear’s hide argent a bear’s pawprint purpure.

This entry was posted on May 23, 2014, in .

Panther

Panther rampant guardant (Period)

Panther rampant guardant (Period)

Continental panther rampant (Period)

Continental panther rampant (Period)

The unmodified term “panther” refers to a kindly monster, described in medieval bestiaries as beautiful and amiable, whose sweet breath drives away evil.  Heraldically, the panther comes in two widely differing forms; current Society practice grants heraldic difference between them.

In English armory, the panther is depicted as a maneless lion, “incensed”, i.e., with flames spewing from its mouth and ears (a misrendering of its “sweet breath”), and the coat strewn with roundels (frequently multi-colored).  This form is usually found guardant in period armory, as with the badge of Henry VI, d.1471 [HB 110]; the illustration shows a panther rampant guardant.  This is considered the default panther in Society armory.

In Continental armory, the panther is depicted with a lion’s body and an eagle’s forelimbs; it usually has the head of a horse or bull, and occasionally has horns as well.  Like the English form, it is incensed.  In Society armory, this form is blazoned a “Continental panther” or “German panther”; the illustration shows a Continental panther rampant.  As an heraldic charge, it dates from c.1340, in the arms of Styria [Zurich 31].  Some authors speculate that it might have been the precursor of the monster now called a “male griffin” or “keythong”.

Over the years, the Society has changed its default postures for panthers, of both sorts.  Current practice is that both types of panther are not guardant by default; the guardant English panther can be so blazoned.

When blazoned a “natural panther”, the term refers to the great feline beast as found in nature; it may also be blazoned by the period term “ounce”, or the Society term “catamount”.

Elspeth Colquhoun bears:  Purpure, in pale two panthers passant counter-passant guardant argent spotted of diverse tinctures and incensed proper.

Talon the Bastard bears:  Pean, two panthers rampant addorsed Or spotted sable.

Alrick von Baeker bears:  Or, a Continental panther passant bendwise azure incensed gules.

William the Silent bears:  Or, a natural panther passant guardant sable.

This entry was posted on May 23, 2014, in .

Mirror

Hand mirror (Period)

Hand mirror (Period)

A mirror is a polished pane of metal or glass, set in a frame, and used to look at oneself.  The standard heraldic form is more fully termed a “hand mirror”:  shown in later period with a handle attached to the frame, as in the arms of Sybell, 1531 [Gwynn-Jones 69], but earlier as a simple circular framed mirror, as in the canting arms (German Spiegel) of Spiegel c.1370 [Gelre 29v].  In either of these forms, the mirror is the traditional accoutrement of the mermaid.

Period armory also has examples of “wall mirrors”, mounted in large rectangular frames, as in the arms of von Steuben or Stuben c.1450 [Ingeram 136, also Siebmacher 117].

The Order of the Mermaids Pearl of Trimaris bears:  Argent, a handmirror azure silvered argent.

Branwen MacRae bears:  Argent, a handmirror bendwise sinister sable, issuant from the glass tongues of flame proper.

Ailís inghean Mhuirgein bears:  Vert, on a mirror argent glassed vert, an oak leaf argent.

This entry was posted on May 22, 2014, in .

Match, slow

Slow match flammant (Period)

Slow match flammant (Period)

A slow match is a flammable cord, used for lighting matchlock rifles.  It’s drawn wound into a roll or annulet of cord.  The slow match is found as a charge in the arms of Leete, 1632 [Guillim2 334], and is accepted for Society use.

Eadmond du Battlemont bears:  Per pale embattled gules and Or, to dexter a handgonne rest Or and to sinister a slow match, ends in chief enflamed proper.

Dougall Cameron bears:  Azure, a slow match argent flammant proper and on a chief embattled Or five gunstones.

Katherine Throckmorton bears as a badge:  A slow match vert, enflamed proper.

This entry was posted on May 21, 2014, in .