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Needle

Sewing needle threaded (Period)

Sewing needle threaded (Period)

Double-pointed knitting needle palewise (Accepted)

Double-pointed knitting needle palewise (Accepted)

A needle is a slender sliver of metal or bone, sharpened at the end and used for manipulating thread.  In Society armory, the default needle is the “sewing needle” (often so blazoned):  a metal needle with a hole in one end for thread, used for hand sewing.  It’s a period charge, found in the canting arms (from dial. Italian gugela) of de Agugellis, mid-15th C. [Triv 41].  Sewing needles are sometimes found threaded; their points are to base by Society default.

There is also the “knitting needle”, which should be double-pointed; one of the earliest representations of knitting, the Buxtehude altarpiece c.1395 [Richard Rutt, A History of Hand Knitting, p.49], shows needles in this form.  Although a period artifact, the knitting needle is unattested in medieval armory.  It doesn’t seem to have a default orientation in Society blazonry; the illustration shows a double-pointed knitting needle palewise.

The Shire of Mendersham bears:  Azure semy of needles argent, a laurel wreath Or.

Eibhlín an Fraoich bears:  Per chevron azure and argent, a sewing needle azure.

Zeresh la Tricoteuse bears:  Per bend azure and sable, a unicorn’s head couped argent, armed and crined, and two double-pointed knitting needles in saltire Or.

This entry was posted on May 23, 2014, in .

Mortar and pestle

Mortar and pestle (Period)

Mortar and pestle (Period)

A mortar and pestle is a set of tools for grinding substances to powder.  The mortar is a hard, deep bowl; the pestle is a club, which does the grinding.  They are usually found together, with the pestle in the mortar.  Mortars and pestles are period charges:  the illustration is from the arms of Wakerley, mid-16th C. [Bedingfeld 58].  See also bowl, cup.

Willem Gerritsz van Wije bears:  Sable, three mortars and pestles Or.

Elizabeth Rea bears:  Per saltire argent and vert, a mortar and pestle sable.

Edain de Burgh bears:  Per pale vert and argent, three mortars with pestles counterchanged.

This entry was posted on May 22, 2014, in .

Mirror

Hand mirror (Period)

Hand mirror (Period)

A mirror is a polished pane of metal or glass, set in a frame, and used to look at oneself.  The standard heraldic form is more fully termed a “hand mirror”:  shown in later period with a handle attached to the frame, as in the arms of Sybell, 1531 [Gwynn-Jones 69], but earlier as a simple circular framed mirror, as in the canting arms (German Spiegel) of Spiegel c.1370 [Gelre 29v].  In either of these forms, the mirror is the traditional accoutrement of the mermaid.

Period armory also has examples of “wall mirrors”, mounted in large rectangular frames, as in the arms of von Steuben or Stuben c.1450 [Ingeram 136, also Siebmacher 117].

The Order of the Mermaids Pearl of Trimaris bears:  Argent, a handmirror azure silvered argent.

Branwen MacRae bears:  Argent, a handmirror bendwise sinister sable, issuant from the glass tongues of flame proper.

Ailís inghean Mhuirgein bears:  Vert, on a mirror argent glassed vert, an oak leaf argent.

This entry was posted on May 22, 2014, in .

Millrind

Two millrinds (both Period)

Two millrinds (both Period)

A millrind is an heraldic representation of the iron struts that hold a millstone together.  It is also called a “fer-de-moline” or “inkmoline”.  The millrind is a common charge in mundane heraldry, dating from the mid-13th Century in the arms of Bek [Wagner 47].  In this earliest form, it was identical to the charge now called the cross moline.  By the end of period, the millrind had several variant forms, distinct from crosses.  The illustration shows two of the more common forms.  See also anille.

The Order of the Millrind, of Æthelmearc, bears:  A millrind argent.

Katherine of Bristol bears:  Per pale sable and Or, three millrinds counterchanged.

Aloric Everard bears:  Per pale argent and sable, semy of millrinds counterchanged.

Kersteken Arends bears:  Purpure, in pale three millrinds argent.

This entry was posted on May 22, 2014, in .

Lucet

Bone lucet (Accepted)

Bone lucet (Accepted)

A lucet is a tool for making braided cord.  There is evidently controversy over whether certain bone artifacts from the Viking era, such as those excavated from the Coppergate dig at York [Arthur MacGregor, “Anglo-Scandinavian Finds from Lloyds Bank”, The Archaeology of York vol.17, 1982], were actually used as lucets in period.  Nonetheless, on the basis of those finds, the “bone lucet” (so blazoned to distinguish it from more modern forms) has been registered once in Society armory.  The bone lucet is roughly rectangular, with two prongs at one end.  It is defined in the following armory.

Freydis inn kyrra Alfarinsdottir bears:  Sable fretty, on a pale Or a bone lucet gules.

This entry was posted on May 17, 2014, in .

Loom weight

Loom weight (Accepted)

Loom weight (Accepted)

A loom weight is part of a vertical warp-weighted loom: the warp threads are tied to loom weights to maintain tension during weaving.  The weights were most often of clay or terra cotta, standardized in size.  Though period artifacts, loom weights as such are not found in medieval heraldry.  The illustration is based on artifacts found in Suffolk, dating from the 7th Century [Marta Hoffman, The Warp-Weighted Loom, 1964, p.313].  Note that, in Society armory, the loom weight should be drawn with a bit of yarn attached:  without the yarn, it may be unidentifiable as a loom weight.  See also annulet.

Barbara atte Dragon bears as a badge:  A loom weight pendant from a hank of yarn argent.

This entry was posted on May 17, 2014, in .

Lantern

Lantern (Accepted)

Lantern (Accepted)

A lantern is an enclosed source of light.  The mundane heraldic lantern (which does not date to period) is a ship’s lantern, spherical and with swivels to keep the inner lamp upright [Bromley & Child 241].  The Society’s default lantern might be more fully termed a “hanging lantern”:  an enclosed cylinder or box, often with a handle, containing a candle, which it protects from the elements.  If the candle is visible, it’s usually shown lit, whether blazoned so or not.

In early Society heraldry, the lantern was drawn in the form used at the camping events of that time:  with large glass panes mounted in a thin frame.  This modern form of lantern is no longer registerable, pending period documentation.  The more period lantern used panes of horn or oiled parchment; the illustration is taken from a mural painting of the Chapel Notre-Dame des Fontaine, La Brigue, late 15th C.  The lantern’s panes may sometimes be explicitly tinctured in the blazon, though no difference is granted for it.

For related charges, see lamp.  See also torch.

Arthur of Lockhaven bears:  Azure, a lantern Or.

Thomas Ouswood bears:  Vert, a lantern argent enflamed Or.

Saher Faux bears:  Or, a staff bendwise, dependent from its dexter end a lantern, all within a bordure indented sable.

This entry was posted on March 3, 2014, in .

Lamp

Lamp, lit (Period)

Lamp, lit (Period)

A lamp is a source of light, consisting of a container of oil with an emerging wick.  The earliest form, dating from at least Roman times, was simply a shallow bowl bearing a wick; the most usual medieval form had a conical base, which could be held in the hand or mounted on a fixture.  This is the default heraldic form of lamp, found in period armory in the arms of Wetewang, c.1410 [TJ 1555; see also Bedingfeld 90].

Arabic lamp, lit (Accepted)

Arabian lamp, lit (Accepted)

However, the most commonly found lamp in Society armory is the “Arabian lamp”, with a handle at one end and the wick in a spout at the other; it’s also been blazoned a “Greek lamp”, though the shape is unchanged.  It’s frequently drawn as the “Aladdin’s lamp” of modern imagery; we’ve no period examples of lamps in that form, neither as a charge nor as an artifact.  However, a basic boat-shaped form of lamp was used in period, as terra cotta artifacts:  the illustration is based on an 11th C. terra cotta lamp found in Sicily.  Based on that example, the Arabian lamp is still permitted for Society use as of this writing.  The Arabian lamp has its handle to sinister by default.

Hanging oil lamp, lit (Accepted)

Hanging oil lamp, lit (Accepted)

Society armory also has the “hanging oil lamp”, with a shallow flat bowl of oil fastened to a vertical handle:  the handle can be hung from a hook over a drawing table.  Like the Arabian lamp, it isn’t found in period armory; however, the hanging oil lamp is a period artifact, as seen in the Opera of Bartoloneo Scappi, 1570, on which the illustration is based [Peter Thornton, The Italian Renaissance Interior, 1400-1600, plate 347; cf. also plates 23, 294].  Unlike the Arabian lamp, the hanging oil lamp doesn’t have a default orientation; it is left as an unblazoned detail.  (There’s also one instance in Society armory blazoned simply an “oil lamp”, with no handles; it’s the exception.)

Any form of lamp, if blazoned “flammant” or “enflamed”, is shown with the wick lit.  “Lit”, of course, works as well.  The lamps in the illustrations are all lit.

For related charges, see candle, lantern, torch.  See also pitcher.

The Royal University of Ithra bears:  Gules, on a sun Or eclipsed gules, an Arabian lamp flammant Or.

The Order of the Golden Beacon, of the Barony of Ynys Fawr, bears:  Per bend sinister azure and Or, a lamp argent enflamed Or.

Tiffanie du Claire bears:  Purpure, a [square] oil lamp enflamed between three stars of David one and two Or.

Arthur Lemner of Wesley bears:  Azure, in pale a drawing compass and a two-spouted oil lamp argent, enflamed Or.

Brigid Duncan bears:  Per bend vert and gules, a bend between a hanging oil lamp argent lit Or and a boar sejant Or.

This entry was posted on March 3, 2014, in .

Ladder

Ladder (Period)

Ladder (Period)

Scaling ladder (German style) (Period)

Scaling ladder (German style) (Period)

A ladder is a climbing tool, with two side pieces connected by a series of rungs; the side pieces were most commonly drawn parallel, though they were frequently drawn wider at the bottom for extra stability.  It is a period charge, found as early as c.1340, in the canting arms (German Leiter) of Leiterberg [Zurich 260].

A variant, the “scaling ladder”, has hooks at the top for fastening to a wall; it was used in sieges.  This form is found in the arms of Shipstowe, 1610 [Guillim1 230].  (The German form of scaling ladder, illustrated, is drawn quite differently, as a broad hooked post with footholds on either side; it’s found in the arms of von Bredow or Bredaw, 1605 [Siebmacher 174].  This stylization seems to be unique to Germany, and no difference is granted for it.)  Ladders in all forms are palewise by default.

Anita Escalera bears:  Sable, a ladder bendwise sinister argent.

Constantine FitzPayn bears:  Lozengy argent and vert, on a pale argent a scaling ladder sable.

Beinean Colm of Caer Dragwyrdd bears:  Argent, two ladders in saltire sable between in fess two torteaux.

This entry was posted on February 20, 2014, in .

Lace bobbin

Lace bobbin (Accepted)

Lace bobbin (Accepted)

A lace bobbin is a small spindle on which thread is wound, used in the manufacture of lace.  Though lace, and the tools for making it, date from the 16th Century [EB XVI:39], the lace bobbin itself doesn’t appear to have been used in period armory.  The lace bobbin is palewise, handle to base, by Society default; when blazoned “proper”, the lace bobbin is brown, the color of wood.  For related charges, see drop-spindle, quill of yarn.  See also broach (embroiderer’s), spool of thread.

Britta Jonasdotter bears:  Azure, six lace bobbins in chevron inverted Or, threaded argent, the threads issuant from a bezant in chief.

Jeanna of Melton bears:  Azure, a lace bobbin argent.

Lucy Holgrove bears:  Gules, in saltire two lace bobbins argent.

This entry was posted on February 20, 2014, in .