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Pile

Pile (Period)

Pile (Period)

Three piles in point (Period)

Three piles in point (Period)

The pile is an heraldic ordinary consisting of a triangle issuant from the chief of the shield to the base point, or almost reaching it.  It seems to have derived from attempts to fit a pale onto a heater-shaped shield, with the bottom pinched together rather than cut off.

The medieval pile is about one-third the shield’s width at top, and is throughout to the base point; the Tudor pile is wider and squatter, and does not reach all the way throughout.  Either form is found in Society heraldry, though the medieval form is encouraged; no heraldic difference is counted between the two, or between throughout vs. not.

Multiple piles are common in mundane and Society heraldry; no diminutives of the pile are recognized.  Multiple piles with their points conjoined may be blazoned “piles in point”; this was the medieval default for multiple piles, due to their derivation from pinched pallets.  If multiple piles are palewise, instead of in point, this should be explicitly blazoned.

Pile ployé (Accepted)

Pile ployé (Accepted)

Piles sometimes issue from other points besides the chief:  there are examples in late-period armory of piles “inverted” or issuant from base, piles issuant from dexter, and “bendwise” (issuant from dexter chief).  In Society heraldry there have even been piles “in saltire”.

The pile is subject to the normal lines of division, including cotising and voiding; the “pile ployé”, with concave arched lines, is unique to Society heraldry.  For related charges, see chapé, chaussé, gyron, tooth (wolves’).

The King of Artemisia bears:  Sable, on a pile between two griffins combattant, each maintaining an arrow inverted Or, an ancient crown within a laurel wreath sable.

The Baron of Ruantallan bears:  Azure, a pile argent, overall a laurel wreath counterchanged.

Adelindis filia Gotefridi bears:  Gules, a pile Or.

Muirenn ingen Nath-í bears:  Sable, three piles in point Or.

Masae Lorane bears:  Or, five piles inverted in point throughout azure.

Eleanor Valentina Beota bears:  Azure, on a pile ployé argent, a hummingbird hovering vert.

This entry was posted on May 23, 2014, in .

Paternoster; Rosary

Paternoster (Period)

Paternoster (Period)

A paternoster is a closed string of beads with a small cross or tassel pendant at the bottom, used for meditation and prayer.  It’s a period charge, found in the arms of Ruswörmb or Rußworm, 1605 [Siebmacher 144].  If the pendant cross hangs from a short beaded string, it may also be blazoned a “rosary” in Society armory; and this is the modern term for both forms of the charge.

The paternoster’s beads may be uniform in size, or may have larger beads at regular intervals: both forms were found as period artifacts, and it is considered an artistic detail in Society heraldry.  See also jewelry.

Christian de Holacombe bears as a badge: A paternoster gules, its cross Or.

Elizabethe Alles bears:  Argent, a paternoster purpure tasseled Or and on a chief dovetailed purpure three escallops argent.

Poplyr Childs bears: Or, two arrows in saltire vert within a rosary gules.

This entry was posted on May 23, 2014, in .

Ordinaries

Ordinaries are among the oldest and most common heraldic charges, being simple geometric shapes bounded by straight lines (or semi-circular curves, for some).  Their shapes may have been derived from the reinforcing bands of a shield.  There is disagreement in heraldry texts over the distinction (if any) between an ordinary and a sub-ordinary, and which charges fall into which categories.  The general Society usage refers to the central ordinaries, which cross the center of the field – the bend, chevron, chief-pale, cross, fess, pale, pall, pile, and saltire – and the peripheral ordinaries, which lie on the field’s edge – the base, bordure, canton, chief, flaunches, gore, orle, and tierce.

In general, ordinaries are drawn so as to take up one-fourth to one-third the width of the shield; the bordure and the orle are typically somewhat narrower.  These are rules of thumb only, not precise divisions; the exact proportions will vary, depending on the composition of the armory.  If the ordinary is surrounded by secondary charges, it will be drawn somewhat narrower; if the ordinary is itself charged, or if it has a complex line of division, it will be somewhat wider.

When more than one of a given ordinary is used in armory, they must necessarily be drawn narrower; these are called the “diminutives” of that ordinary.  Special terms may be used in those cases:  the diminutive of the fess is the “bar”, the diminutive of the bend is the “bendlet”, &c.  The diminutive term should not be applied to single ordinaries, but only when there are two or more of them (or, rarely, when the visual importance of the ordinary is in some way reduced:  a “bendlet enhanced”, for instance).

More than a single type of ordinary may be used in one armory, though there are limitations.  In general, the use of two or more peripheral ordinaries is considered poor style.  A central ordinary may usually be used with a peripheral ordinary (a fess and a bordure, for instance).  Continental armory had some special names for certain combinations of ordinaries, treating them as charges in their own right:  e.g., the chief-pale, combining a pale and a chief.

Ordinaries are subject to the complex lines of division:  indented, wavy, &c.  Only the double-sided ordinaries, however, may be dancetty, voided, fimbriated, or cotised; and except for the fess, ordinaries nowed are considered a step from period practice.  Peripheral ordinaries flory (e.g., a “bordure flory”, with demi-fleurs issuant into the field but not into the bordure) are likewise deemed a step from period practice.  For more information, see the entries for the individual ordinaries.  See also cotising, gemel.

Alia fitz Garanhir bears:  Argent, a fess conjoined in chief with a demi-pale between three mullets of six points gules.

Daria Tayt bears:  Gules, a pale and a chief Or.

This entry was posted on May 23, 2014, in .

Mount; Mountain

Mount (Period)

Mount (Period)

Trimount, or mount of three hillocks (Period)

Trimount, or mount of three hillocks (Period)

A mount is the heraldic representation of a hill.  It’s drawn as a rounded hillock issuant from base; it’s equivalent to a “base enarched to chief”.  The mount is sometimes drawn naturalistically, with tufts of grass; Society heraldry considers this artistic license, and it’s often ignored in Society emblazons.  A “mount proper” is vert, and some texts claim that mounts are vert by default; but they have no default coloration in Society heraldry.

If the mount is not issuant from base, but cut off at the bottom, it must be blazoned “couped”.  The mount may also have more than a single hillock, especially in Italian heraldry:  three, six, or ten hillocks are possible, and would be blazoned, e.g., “a mount of three hillocks” (or “coupeaux”, or “peaks”), as in the illustration.  (The mount of three hillocks may also be termed simply a “trimount”.)  The multi-hilled form of mount dates from at least 1413, in the arms of the Kings of Hungary [Conz.Const. xcix].

Mountain (Period)

Mountain (Period)

A variant of a mount is the “mountain”, representing a mountain instead of a hill.  The mountain is usually drawn more naturalistically, with rocky crags and a peak; the exact details are not blazoned.  It too is period, in the canting arms of di Monti da Cara, mid-15th C. [Triv 235].  Like the mount, it is issuant from base unless otherwise specified.

Multiple mountains may be conjoined to form a “mountain range”, as in the canting arms of Siebenbürger, 1605 [Siebmacher 46].  The period example requires a long, narrow area for displaying the range; the mountains issue from the lower edge by default.  The number of mountains in the range need not be specified.

The mount should not be confused with the “mound”, which is another name for the orb.  For related charges, see base, point, rock.

The Prince of the Summits bears:  Azure, a gryphon passant and on a mountain argent, a goblet azure within a laurel wreath vert.

William de Montegilt bears:  Sable, a two-peaked mountain couped Or, capped argent.

Morna ó Monadh bears as a badge:  Purpure, a mount of three hillocks Or.

Jan Rafiel Shkoder bears:  Vert, a mount of six hillocks between two falcon’s heads erased Or.

Alys de Montcharmont bears:  Azure mullety, on a bend argent a mountain range vert.

This entry was posted on May 22, 2014, in .

Keystone

Keystone (Accepted)

Keystone (Accepted)

A keystone is the central stone found at the top of an arch, which has the job of keeping the two halves of the arch from collapsing.  Though the term was used in period, the keystone does not seem to have been a period heraldic charge.  In Society armory, the keystone is defined to be trapezoidal, with the wide edge to chief; this appears to have been a common form in period architecture.  This form is similar in shape (though inverted) to the “quoin”, a wedge-shaped cornerstone, as found in the canting arms (Portuguese cunha) of Cunha, c.1540 [Nobreza x].

A form of keystone frequently used in Society armory is a stylized modern form, one of the symbols of the state of Pennsylvania:  a trapezoid with two notches in the upper corners.  This form is considered a step from period practice.

The Order of the Keystone, of Æthelmearc, bears:  Or, on a keystone gules an escarbuncle argent.

Jon Trimara bears:  Per chevron vert and gules, in saltire an arrow inverted and a sword Or and in chief a dovetailed keystone gules, fimbriated Or.

Lysken die Waeyer bears:  Vert, three keystones argent.

This entry was posted on February 17, 2014, in .

Ham

Ham (Accepted)

Ham (Accepted)

A ham is a severed thigh of pork, usually cured to prevent spoilage.  It’s a period foodstuff – the illustration is taken from a book of hours from Poitiers, c.1475, now in the Pierpont Morgan Library  – but no period examples of its use in heraldry have been found.  The Society’s default for the ham is fesswise, with the narrow end (the “handle”) to sinister.  See also leg.

Morgan of Osprey bears as a badge:  A ham reversed sable boned argent enflamed on the upper edge proper.

This entry was posted on January 31, 2014, in .

Guitar

Guitar (Accepted)

Guitar (Accepted)

A guitar is a stringed musical instrument, favored in southern Europe during the Renaissance.  Its body was flat-backed, narrowed slightly at the waist, with a fretted neck longer in proportion than the citole or the gittern.  The Renaissance guitar was similar in shape (though smaller) to the modern classical guitar; the illustration is taken from Morlaye’s Premier Livre de Chansons en tabulature de guiterne, 1552 [Grove 10:554].  Though a period instrument, the guitar doesn’t seem to have been used in period armory; its Society default orientation is affronty, with strings facing the viewer, and with neck to chief.  For related charges, see lute.

Abu Zayd Ezbek Abd al-Latif ibn Farrukh bears:  Or, on a pale bretessed between two doumbecs vert, a guitar Or.

This entry was posted on January 31, 2014, in .

Fusil

Fess of five fusils (Period)

Fess of five fusils (Period)

A fusil, in its correct medieval sense, is a single segment of an indented ordinary:  i.e., a “fess indented”, a “fess fusilly”, and a “fess of five fusils (conjoined)” were equivalent blazons and yielded the same emblazon (as illustrated).  The fusil can thus have no independent existence outside an indented ordinary.  Medieval blazons called a single geometric rhombus shape a “lozenge”, and never a “fusil”, no matter what its proportions; current Society blazons follow this precedent.  (Nonetheless, some early Society blazons followed the Victorian assumption that a fusil was a “skinny lozenge”:  an independent charge, somewhat narrower than a lozenge.)  For related charges, see lozenge.

This entry was posted on January 29, 2014, in .

Fox

Fox courant (Period)

Fox courant (Period)

The fox is a canine beast with a narrow snout and bushy tail; its reputation is one of slyness and craft.  It is found in the canting arms of Fuchs, c.1450 [Ingeram 149].  If blazoned a “vixen”, the female fox is intended.

The fox seems to have no default posture; the illustration shows a fox courant.  Society heraldry defines a “fox proper” as red, with black “socks” and a white tip on the tail.  For related charges, see dog, hyena, wolf.

Ciara Sinikettu bears:  Or ermined vert, a fox courant azure.

Wakeline de Foxley bears:  Per pale azure and gules, three foxes rampant Or.

Ynhared Dewines y Glyndu bears:  Sable, a vixen rampant proper.

This entry was posted on January 29, 2014, in .

Fasces

Fasces (Period)

Fasces (Period)

A fasces is an axe bound in a bundle of sticks (called a fascine in Latin).  The fasces was the symbol of civil justice, dating from Roman times; it’s found in the arms of Cardinal Mazarin, 1601 [Parker 250].  Its association with 20th Century Fascists does not bar the fasces from Society use, though care should be taken.  Its default orientation is palewise, as with the axe.

Charles of the Jacs bears:  Sable, a broken fasces Or.

Gaius Cornelius Ursus bears:  Quarterly vert and argent, two fasces vert.

Eóin mac Raghnaill bears:  Or, on a bend sinister sable between two falcons striking to sinister and to dexter gules, an arrow inverted bound in a fascine Or.

This entry was posted on January 27, 2014, in .