Archives

Crucifix

Crucifix (Period)

Crucifix (Period)

A crucifix is a religious icon, consisting of a cross surmounted by the figure of Jesus.  Period rolls and texts [RH; de Bara 199; Nobreza xliº] ascribe a crucifix to the attributed arms of Prester John, “Emperor of India”.

As of this writing, the only example of a crucifix in Society armory is a specific artifact: the crucifix of San Damiano, dated to the 11th Century, and considered special to the Franciscan Order.  In general, the type of crucifix should not be specified.  See also paternoster.

Francesco Gaetano Greco d’Edessa bears as a badge:  Per fess enarched gules and vert, a San Damiano crucifix argent charged with a figure of Christ sable.

This entry was posted on January 10, 2014, in .

Crozier

Crozier (Period)

Crozier (Period)

Archepiscopal staff (Period), shepherd's crook (Period)

Archepiscopal staff (Period), shepherd’s crook (Period)

A crozier, or crosier, is a bishop’s staff, a highly ornamented depiction of a shepherd’s crook.  It’s a period charge, frequently found in the arms of bishoprics, but not exclusively:  e.g., the arms of di Spiciani, mid-15th C. [Triv 338].  The crozier is palewise by default, with its opening to dexter.

Similar to the crozier is the “archepiscopal staff”, with a cross formy at the end, found in the arms of the Archbishop of Canterbury in 1514 [HCE xxx].  Finally, there’s the “crook” or “shepherd’s crook”, the simple herder’s staff on which the crozier was based, found in the canting arms of Crook, c.1285 [ANA2 308].

For related charges, see crook of Basel.

Nicholas Abbas de l’Eau Vivante bears:  Argent, a crozier azure and a ford proper.

Thora Olafsdottir bears:  Quarterly azure and vert, in saltire two shepherd’s crooks Or.

Wolfram von Nürnberg bears:  Or, a wolf rampant azure maintaining an archepiscopal staff sable within an orle of wolf’s pawprints azure.

This entry was posted on January 10, 2014, in .

Crown; Coronet

Crown (Accepted/Reserved)

Crown (Accepted/Reserved)

A crown is a circlet of metal, often bejewelled, worn on the head of a monarch as an emblem of sovereignty.  As an heraldic charge, it was first seen in the attributed arms of St. Edmund the Martyr, c.1282 [ANA2 349].

Similar to the crown is the “coronet”; indistinguishable in form, the alternative term is used in blazons to denote the bearer is less than sovereign.  There is neither artistic nor heraldic difference between a crown and a coronet.

There are a number of varieties of crown.  The standard Society form is indented, usually showing three points; it was sometimes misblazoned a “crown dancetty” in early Society blazons.  This type of crown may be used when the blazon doesn’t specify an exact form.

 

Ducal coronet (Period/Reserved), comital coronet (Accepted/Reserved)

Ducal coronet (Period/Reserved), comital coronet (Accepted/Reserved)

Pearled coronet (Period/Reserved), eastern (or antique) crown (Period/Reserved)

Pearled coronet (Period/Reserved), eastern (or antique) crown (Period/Reserved)

In period heraldic art, starting in the late 15th Century, exact forms of coronets began to be used to mark rank in a full armorial achievement; however, they did not do so when used as charges on the shield.  In the Society, three forms of coronets can mark rank on the shield, as well as in the achievement.  Specifically, the ducal coronet, with trilobed fleurons (usually called “strawberry leaves”) around its rim, and the Society-defined comital coronet (or county coronet), with an embattled rim, are reserved to Royal Peers of those ranks.  These forms of coronet are regulated not only as charges on the shield, but as regalia as well.

As viscomital and baronial coronets of rank date to no earlier than the Stuarts, they are not defined for Society armory per se; however, the pearled coronet is found in 16th Century Scots and French achievements [e.g., Lindsay, 1542], and may be used by Society Viscounties and Court Baronies.  (The exact number of pearls is left unblazoned, but Society artists generally use twelve for Viscounties and six for Court Baronies, following the Stuart definitions.)  As regalia, the exact forms of viscomital and baronial coronets are regulated by the individual Kingdoms.

Mural coronet (Period/Reserved), ancient crown (Accepted/Reserved)

Mural coronet (Period/Reserved), ancient crown (Accepted/Reserved)

Saxon crown (Accepted/Reserved), crown vallary (Period/Reserved)

Saxon crown (Accepted/Reserved), crown vallary (Period/Reserved)

Other forms of crown are the “eastern crown”, also called an “antique crown”, in the arms of Grant of that Ilk, late 16th C. [Lord Crawford’s Armorial, fo.114]; the “mural coronet” (from Latin mur, “wall”), drawn with masoning, and sometimes turrets, dating to at least 1572 [Bossewell II.77º]; and the “crown vallary” (from the Latin vallare, “to fortify”), the projections meant to resemble a defensive palisade, dating to at least 1581 [de Bara 189].

Society armory also has examples of coronets which, though found in modern heraldry texts, have not yet been dated to period.  These include the “ancient crown”, also called a “crown flory”; and the “Saxon crown”.

In Society armory, the use of a crown or coronet is reserved to Kingdoms, Principalities, Royal Peers, and Court Baronies; it is required in the arms of Kingdoms.

For related charges, see jewelry.  See also wreath.

The King of the West bears:  Or, a crown dancetty of three voided within a laurel wreath vert.

The King of the East bears:  Purpure, within a laurel wreath vert fimbriated Or, an eastern crown of three grand points tipped with pearls and two lesser points, all Or.

Arrowyn of Emerald Moor bears:  Sable, a mullet of eight points, each point terminating in a shamrock, in chief a crown fleury Or, all within a bordure potenty quarterly argent and vert.

Steffen Albert Rheinbauer bears:  Azure, a sinister gauntlet clenched aversant bendwise sustaining a rose slipped and leaved bendwise sinister argent, in chief a mural coronet, all within an orle of chain Or.

This entry was posted on January 10, 2014, in .

Crow

Crow (Period)

Crow (Period)

The crow is a bird with a harsh voice and a reputation for avarice.  It is close by default; period emblazons, in fact, overwhelmingly depict it close and sable.  A few heraldic depictions, particularly on the Continent, show it with hairy feathers; most others draw it sleekly feathered; but all show the crow with a long, pointed bill.  A “crow speaking” or “croaking” has its mouth open as if in speech.

Similar to the crow are the “raven”, the “rook”, and the “(jack)daw”.  Indeed, for emblazonry purposes, all these corvids are indistinguishable; the exact term was frequently chosen purely for the sake of a cant.  Likewise, any of these might be blazoned a “corbie”, as in the canting arms of Corbet, c.1255 [ANA2 200].

There is also the “Cornish chough” (pronounced “chuff”), in form identical to the crow, and only distinguishable when “proper”:  it is then black with red beak and feet.  Its most famous use is in the arms of Cardinal Wolsey, c.1520 [Wagner 66].  The chough may sometimes be blazoned a “beckit” for canting purposes [Parker 136].

Ogan O Crowly bears:  Argent, five crows in saltire and a chief sable.

Cigfran o Gaer Walch bears:  Or, six ravens close sable.

John of Ravenwolf bears:  Sable, a raven speaking Or, beaked and membered argent.

Cynthia of the Loch bears:  Per bend sinister Or and gules, a bend sinister counter-ermine between a rook contourny sable and three towers Or.

Pippin de Corbie bears:  Ermine, a corbie sable holding in its mouth a ring Or and in chief three apples gules.

Cadan of Mons Tonitrus bears:  Quarterly argent and azure, in bend two Cornish choughs proper.

This entry was posted on January 10, 2014, in .

Crossbow

Crossbow (Period)

Crossbow (Period)

A crossbow is a device for shooting arrows, used in hunting or as a weapon.  It is also called an “arbalest”.  The crossbow consists of a bow (often of steel) set on a stock, and fired much like a modern firearm.  As an heraldic charge, the crossbow dates from at least 1295, in the arms of Huvell [ANA2 247]; it is by default palewise, bow to chief, cocked and ready to shoot.

The arbalest stock alone, without the bow, is also found in period armory, as in the arms of von Iainsen, 1605 [Siebmacher 185].  The arbalest stock is likewise palewise by default.  See also arrow.

Brice Armbruster bears:  Argent, a crossbow azure.

Robyn the Sharpe bears:  Or, a crossbow palewise inverted sable.

Carl of the Crossbow bears:  Per chevron azure and Or, a crossbow counterchanged.

Michael de Multon bears as a badge:  Per pale sable and argent, two arbalest stocks with triggers outward counterchanged.

This entry was posted on January 10, 2014, in .

Cross: Ukrainian sun

Ukrainian sun-cross (Disallowed)

Ukrainian sun-cross (Disallowed)

The “Ukrainian sun cross” is a motif from Russian art; however, pending evidence of its use in medieval armory, it’s been disallowed from further Society use.

Vassillissa Koshkovna Nakhodchivaya bears:  Gules, a dolphin naiant contourny inverted embowed to base argent, maintaining in its mouth a leek vert, on a chief triangular argent a Ukrainian sun-cross gules.

This entry was posted on January 10, 2014, in .

Cross: Tripartite and fretted

Cross tripartite and fretted (Period)

Cross tripartite and fretted (Period)

The “cross tripartite (or triple-parted) and fretted” may also be blazoned a “cross of three pallets fretted with three barrulets”.  It’s a period treatment, found in the arms of Skirlaw, 1406 [Boutell 49].

Druscilla Galbraith bears:  Vert, a cross triple-parted and fretted argent.

Elena Wyth bears:  Argent, a cross triply parted and fretted within a bordure azure.

This entry was posted on January 10, 2014, in .

Cross: Toulouse

Cross of Toulouse (Period)

Cross of Toulouse (Period)

The “cross of Toulouse” was blazoned as a “cross clechy, voided and pometty” in early blazons.  It is found in the arms of the Counts of Toulouse as early as c.1245 [Asp2 216].

Geneviève de Vendome bears:  Or, a cross of Toulouse gules.

Antonia Ruccellai bears:  Azure, a cross of Toulouse argent.

Vlksha Iakovleva bears:  Gyronny argent and gules, a cross of Toulouse sable.

This entry was posted on January 10, 2014, in .

Cross: Tau, Anthony

Tau cross (Period)

Tau cross (Period)

The “tau cross” may also be blazoned a “cross of St. Anthony”.  It is found in the arms of Drewry, c.1460 [RH].

Timothy Brother bears:  Azure, a tau cross Or.

Henri d’Artois bears:  Per bend sinister argent and sable, two tau crosses counterchanged.

This entry was posted on January 10, 2014, in .

Cross: Swallowtailed

Cross swallowtailed (Period)

Cross swallowtailed (Period)

The “cross swallowtailed” is found in the arms of de Marinonibus, mid-15th C. [Triv 217], where it’s blazoned a “cross of eight points”.  However, the latter term can also refer to the Maltese cross [Franklyn 118], so the Society’s term is preferred.

Eric of the Broken Cross bears:  Gules, a cross swallowtailed azure fimbriated Or.

Savaric de Pardieu bears:  Quarterly argent and sable, in saltire five crosses swallowtailed counterchanged.

John Teller bears:  Quarterly sable and Or, a Latin cross swallowtailed argent.

This entry was posted on January 10, 2014, in .