Search Results for: lotus

Lotus

Lotus blossom affronty (Accepted); lotus blossom in profile (Accepted)

Lotus blossom affronty (Accepted); lotus blossom in profile (Accepted)

The lotus is a cup-shaped flower, said to induce a dreamy languor and forgetfulness.  The flower may be found in heraldry either affronty (top image) or in profile (bottom image), with neither being default; the exact orientation must thus be specified.  No examples have been found in period armory; in modern armory, the lotus affronty is the badge of India [Guide 204].

Osman al-Koriesh ibn Kairos bears:  Per pale sable and argent, a lotus blossom affronty within a bordure counterchanged.

Aletheia Isidora of Philae bears:  Argent, a lotus affronty and a chief wavy azure.

Katja Dara bears:  Per chevron vert and sable, a lotus flower in profile argent.

This entry was posted on May 17, 2014, in .

Vajhra

Three-pronged vajhra palewise (SFPP)

Three-pronged vajhra palewise (SFPP)

A vajhra is a short bar of metal or carved stone, with clawed ends; it is a Buddhist priest’s holy symbol cum weapon, and is also known as a “priest’s lightning bolt”.  The vajhra is found as a charge in Japanese Mon, as borne by Kasuga [Hawley 96], and as an artifact in period India; it has thus been accepted for Society use.

The vajhra has no Society default orientation; the number of prongs should be specified in the blazon as well.  The illustration shows a three-pronged vajhra palewise.

Evan ap Llywelyn of Caernarfon bears as a badge:  Sable, two vajhra in cross within a lotus blossom pierced argent.

Kuji Ka Onimusashi bears:  Vert, a sheaf of forked arrows inverted surmounted by a three-pronged vajhra fesswise Or.

This entry was posted on June 8, 2014, in .

Flower

Flowers are plants’ organs of reproduction, valued for their ornamental beauty or fragrance.  In heraldry, flowers are generally shown affronty by default.  The exceptions include such cup-shaped blossoms as the lily, such trumpet-shaped blossoms as the daffodil, and such prickly flowers as the thistle; all these are shown in profile by default.  Trumpet-shaped blossoms like the daffodil must have their postures explicitly blazoned, e.g., “bell to chief”.  Other exceptions are noted in the individual entries for those flowers.

For conflict purposes, the Society defines four broad categories for flowers:  “few-petaled” flowers (normally shown affronty), such as the rose and the cherry blossom; “multipetaled” flowers (also normally affronty), such as the daisy and the gillyflower; “trumpet-shaped” flowers (normally shown in profile), such as the lily and the columbine; and “others”, to cover such cases as the thistle.  The Society grants substantial difference between categories of flowers; within each category, no difference is granted for type of flower.  (Although trumpet-shaped flowers can be granted difference for orientation.)

Any flower known to period Europeans may be used in the Society – though, if the flower is not itself European, its use may be considered a step from period practice, as with the New World dogwood.  (An exception would be made for non-European flowers actually used in period European armory, but no examples have been adduced.)

Flowers may be slipped and leaved; such cases are almost always explicitly blazoned.  Some flowers occur in “clusters”, with several small blossoms issuant from a single slip; these are usually so blazoned, since the individual blossoms might also be charges.  A “bouquet” is a set of slipped flowers, tied or conjoined at the stems’ centers: the number of flowers is frequently specified.

For specific entries, see:  columbine, daisy, edelweiss, foil, Gendy flower, gillyflower, iris, lily, lotus, rose, teazel, thistle, trillium, tulip.  For related charges, see fleur-de-lys, slip, wreath.

Karol Johanna Gartenheit bears:  Azure, in fess four jonquil blossoms, bells to chief Or.

Emma Dandelion bears:  Vert, a dandelion slipped and leaved and a bordure argent.

Margaret Obrolchan bears:  Or, three lilies of the valley vert flowered argent.

Rachel of Bon Repos bears:  Argent, a hyacinth azure slipped and leaved proper.

Franca Donato bears:  Argent fretty azure, on a chief sable three hibiscus blossoms argent.

Ygraine o Gaerllion Fawr bears:  Purpure, a bouquet of three daffodils slipped, the centermost affronty and the outermost addorsed Or, within a bordure nebuly argent.

This entry was posted on January 28, 2014, in .

Bow

Bow (Period)

Bow (Period)

A bow is a device for shooting arrows, used in hunting or as a weapon, and consisting of a flexible strip of wood strung with cord.  It’s found in the canting arms of Bowes, c.1395 [DBA2 214].  The default bow is the “longbow”, and is occasionally so blazoned.  The default orientation for the longbow is palewise and strung; the placement of the string (dexter or sinister) has changed over time.  Society practice puts the string to sinister by default; when the bow is fesswise, the string is to base.

The bow’s string is taut and straight by default, as stated above; but we also have examples of drawn bows, with the center of the string pulled back and under tension.  A drawn bow almost always has an arrow nocked to the string, as seen in the arms of Schütz, 1539 [BSB Cod.Icon 307:545]; this fact is always blazoned.  Society armory has examples of other charges besides arrows nocked to the string of a drawn bow; this usage is deemed a step from period practice.

At one point it was ruled that bows in Society armory should not be drawn recurved, but as period longbows, as in the illustration.  However, recurved bows were sometimes depicted in period emblazons, as in the arms of Savolax, Finland; and Society bows have often been drawn with recurved limbs.  The matter is left to the artist’s discretion.

Persian double bow (SFPP)

Persian double bow (SFPP)

A variant of the bow is the “Persian double bow”.  This is the Society’s name for a period charge found in Islamic heraldry, in the arms of ‘Ala’ ad-Din Aydaykin ibn Abdullah, d.1285 [Mayer 83].  As a non-European motif, its use carries a step from period practice.

Musical bow (Accepted)

Musical bow (Accepted)

Society armory also has the “musical bow”, sometimes called a “psaltery bow” or “viol bow”; as the name implies, it’s used for playing stringed musical instruments.  Though we’ve found no examples of its use as a period charge, it’s allowed in the Society as a period artifact; the illustration is taken from Virdung’s Musica Getutscht, 1511 [Montagu 93].  When found in armory along with a stringed instrument, the simple term “bow” is understood to mean a musical bow.

For related charges, see crossbow.  See also arrow.

Giovanni dell’Arco bears:  Argent, a bow reversed vert.

Andrew Roriksson bears:  Sable, a bow nocked of an arrow Or.

‘Azzah al-Nadirah bears:  Azure, on a chevron between two escallops inverted and a Persian double-bow argent, three lotus blossoms in profile azure.

Eowyn nic Wie of Kincora bears:  Gules, a bowed psaltery Or between two flaunches ermine and in chief a psaltery bow Or.

This entry was posted on December 2, 2013, in .